Untitled 4

A column of incandescent yellow rises like a quiet revelation, compressing the surrounding field into reverent bands of ember, rust, and deepening blue. The vertical striations read as both rainfall and time—thin, insistent marks that pull the eye downward even as the central light insists on ascent. In this restrained drama of warm versus cool, the work becomes a meditation on thresholds: dawn pressed against night, presence held against dissolution, and the fragile moment when radiance is earned through opacity.