Untitled 4

A monolithic, ink-dark head—crowned with serrated edges—anchors the composition like a sealed chamber, its single, patterned eye hovering between vigilance and numbness. Around this brooding silhouette, stains of maroon and smoky washes seep across the paper, while a lattice of marks and fragmentary figures suggests a body pieced together from memory, ritual, and fracture. The work reads as a psychological totem: part sentinel, part captive, where the quiet violence of scraping lines and blotched color turns interior anxiety into an austere, emblematic presence.