



This suite of circular collages reads like weathered astrolabes of memoryβeach disk a sealed microcosm where fragments of faces, cartographic textures, and institutional emblems hover in a bruised earth palette. The torn paper strata and faint typographic bands behave as archaeological sediment, suggesting that personal history is always mediated by public record, rumor, and erasure. Across the set, the orbiting motifs and off-center weights create a quiet gravitational pull, as if meaning keeps circling a trauma it cannot fully name. What emerges is a tactile meditation on identity as residue: partially legible, repeatedly overwritten, and still insistently present.







