Sitting Lady 1

This sculptural form distills the figure into a quiet, self-contained volume, where a broad, crescent incision suggests an inward embrace rather than an outward gesture. The muted, oxidized surface catches light like weathered skin—soft highlights sliding across the swell while shadows deepen the work’s sense of withheld interiority. Poised on its plinth, the mass reads as both body and vessel, a meditation on protection, intimacy, and the way time seals memory into matter.