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Study of a Man Talking to a Woman Seated on the Left Gm-00021001

CHF 20
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Stretched Canvas (18" x 24") 45 x 60cmGiclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (24" x 48") 60 x 122cmNote Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Giclee Matte Art Paper (24" x 36") 60 x 90cmStretched Canvas (24" x 36") 60 x 90cmGiclee Matte Art Paper (18" x 24") 45 x 60cmStretched Canvas (28" x 28") 70 x 70cmStretched Canvas (16" x 20") 40 x 50cmStretched Canvas (32" x 48") 80 x 122cmGiclee Matte Art Paper (30" x 40") 75 x 100cm
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Rembrandt Harmensz. van Rijn (Dutch, 1606–1669) Rembrandt Harmensz. van Rijn communicated the emotional exchange between these two people with economy and force. He clearly demonstrated the man's stern admonishment as he turns to face the woman's darkened gaze. Concentrating on both faces and the man's hands--the carriers of the drama--Rembrandt used only a few calligraphic strokes to describe the pair's clothing and give them a sense of three-dimensionality. He also engaged the paper, making the blank areas as active in describing the scene as the lines themselves. Even in a rapid sketch, Rembrandt created a sense of narrative, drama, and character.

Rembrandt may have depicted an early event in the Old Testament story of the prophet Samuel. When Samuel's future mother Hannah moved her lips while silently praying to God to give her children, the high priest Eli reproached her, thinking she was drunk.

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