

This assembled constellation of bronze forms—each perched on a sober wooden plinth—reads like a cabinet of votive fragments, where severed hands, a mask-like visage, and animal presences hover between relic and invention. The oxidized turquoise patina lends a marine, time-worn breath to the surfaces, suggesting objects excavated from memory rather than modeled in the present, while the spacious intervals between them allow silence to function as a crucial material. The central, hieratic figure anchors the arrangement as a quiet idol, yet the surrounding gestures and totemic shards fracture any single narrative, proposing a ritual of many languages—protection, offering, witness—held in tense, enigmatic balance.







