Untitled 419 (Intersecting Rhythms)

This work stages a quiet negotiation between structure and drift: a warm terracotta field is disciplined by a grid, yet the lines waver like a memory of architecture rather than its certainty. At the upper right, concentric circles orbit a dense red disc, a measured pulse that turns the surface into a map of resonance—part sun, part target, part inward eye. The woven, almost linen-like texture softens the geometry, letting light appear trapped within pigment, so the composition reads as both plan and atmosphere, suggesting the human desire to impose order while feeling time’s gentle distortion.