



A poised, lioness-faced figure—ornamented with jewelry and filigreed markings—floats above a hazy, sandstone city, her turquoise dress cutting a luminous silhouette against the muted, archaeological backdrop. Seated astride an improbable, richly iridescent bird, she becomes a sovereign of thresholds: human and animal, myth and modernity, earthbound history and airborne desire. The composition stages a gentle but insistent hierarchy of focus—soft, evaporating architecture behind; crisp pattern, plumage, and gaze in front—suggesting that identity here is not inherited from place but reinvented, worn like a talisman. The small raptor perched on her finger sharpens the narrative into one of vigilance and agency, as if the work proposes freedom not as escape, but as a disciplined act of looking.







