Untitled 2

A vaporous skyline, barely held together by ink-dark silhouettes, hovers in the distance like a half-remembered city, while the foreground erupts into a thick meadow of splattered pigment and dissolving blooms. The composition stages a dialogue between permanence and ephemerality: architecture recedes into mist, but color insists—scarlets, magentas, and greens pulsing as if the land itself is speaking louder than the built world. Flecks and drips act like weather, time, and noise, veiling the scene in a gentle instability that turns observation into reverie. What emerges is a meditation on where we place our certainty—on distant outlines—or in the immediate, proliferating life at our feet.