



Set against fields of saturated green, ochre, and orange, the work stages a fraught theatre of power: a mounted figure with raised blade collides visually with a central, almost monumental presence holding the word “VIVEK,” as if conscience itself were being carried like a shield. To the right, a sepia-toned, reclining body within a circular enclosure reads like memory, casualty, or the dormant self—compressed into a coin-like medallion that suggests how violence can be minted into history and repeatedly circulated. The stark, simplified silhouettes and abrupt color partitions deny atmospheric comfort, turning space into ideology: action, restraint, and aftermath locked in the same frame, with “Might + Mind = Peace” hovering as both proposition and uneasy question.







