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Portrait of a Halberdier (Francesco Guardi?) Gm-00094501

CHF 20
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Stretched Canvas (16" x 20") 40 x 50cmStretched Canvas (18" x 24") 45 x 60cmNote Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Giclee Matte Art Paper (18" x 24") 45 x 60cmGiclee Matte Art Paper (24" x 36") 60 x 90cmGiclee Matte Art Paper (30" x 40") 75 x 100cmGiclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (32" x 48") 80 x 122cmStretched Canvas (28" x 28") 70 x 70cmStretched Canvas (24" x 48") 60 x 122cmStretched Canvas (24" x 36") 60 x 90cm
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Pontormo (Jacopo Carucci) (Italian (Florentine), 1494–1557)

Standing before a fortress wall, this well-dressed foot soldier holds a combination spear and battle-axe called a halberd. His direct stare and swaggering pose are strikingly poignant, given the smooth unlined face and slim body that betray him as no more than a teenager. As a portraitist, Jacopo Pontormo was renowned for his subtle, complex psychological studies; here he conveyed the naive arrogance and vulnerability of youth. Court painter to Duke Cosimo de' Medici (1519 – 1574) in Florence, Pontormo pioneered a new, sophisticated type of portraiture which championed elegance and aristocratic reserve.

The sitter's identity has been much discussed. The painter and author of the famous Lives, Giorgio Vasari (1511 – 1574), noted that during the siege of Florence in about 1529, Pontormo painted a "most beautiful work, "a portrait of young nobleman Francesco Guardi as a soldier.” Sure enough, a birth record survives for a male child, Francesco, who was born into the Guardi clan in 1514. This young man would have been around fourteen or fifteen years old at the time of the siege, about the age of Pontormo's teenage sitter. Based on the evidence of a Florentine inventory of the Riccardi family in 1612, it has also been suggested by some that the portrait represents Cosimo de' Medici himself.

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