Untitled 34

This composition stages a heated choreography of ochres and ember-orange planes, where fractured geometry reads like a city or memory under reconstruction—half blueprint, half rupture. Thick, tessellated strokes surge diagonally, pushing against a grid of marks and drips that anchor the eye in a tense negotiation between structure and impulse. Flecks of white operate as sudden apertures of light, suggesting clarity arriving in brief flashes within an otherwise turbulent atmosphere. The work ultimately feels like an inner cartography: a map of persistence, where order is repeatedly challenged yet never fully relinquished.