Untitled 18

This monochrome abstraction assembles its surface like a stitched cartography of memory—rectangular fields of striated pigment pressed together until they read as both masonry and sediment. The alternating bands of pale wash and dense, ink-dark drag marks create a quiet voltage, where light seems to seep through the weave while shadow interrupts with decisive, architectural weight. Subtle scars—scrapes, ripples, and compressed ridges—turn the act of making into the subject itself, suggesting time layered, erased, and re-inscribed. In its restrained palette, the work becomes an austere meditation on structure and fracture, holding order and turbulence in the same breath.