

Within the circular field, two toucan-like birds hover as luminous anchors, their simplified profiles set against a restless lattice of triangles, rings, and fractured planes that reads like a diagram of perception itself. Saturated magentas, cobalt blues, and acidic greens collide and fuse, creating a sensation of urban noise transposed into a tropical keyβnature not as refuge, but as an active participant in contemporary velocity. The round format tightens this exuberant disorder into a self-contained cosmos, where pattern and gesture become a kind of visual birdsong, suggesting dialogue, courtship, or twin selves negotiating a shared inner weather.







