Untitled

Suspended in a fevered field of crimson, the composition gathers itself into a bruised, half-erased architecture—forms that read like a city or shipwrecked skyline dissolving at the edge of memory. Charcoal-like abrasions and scraped passages puncture the warm haze, creating a volatile rhythm between eruption and restraint, as though the painting is both building and burning in the same breath. A darker, grounded band anchors the lower register, suggesting a horizon or threshold where matter settles, while the upper atmosphere remains incandescent—an emotional weather of urgency, loss, and stubborn persistence. In its refusal of clarity, the work proposes a narrative of aftermath: not ruin as an end, but as a luminous site where new meaning flickers into being.