Untitled 2

This work stages a quiet collision between the organic and the constructed: a leaf-like form, rendered with tactile, veinous specificity, is pinned against a field of watery teal that bleeds and drips like weather across a surface. The composition hinges on a dark vertical incision, a seam that reads as both fracture and axis, while electric turquoise and small flares of yellow act as nerve-impulses—signals of life persisting within erosion. Threadlike marks and dotted contours hover at the periphery, suggesting cartographies or breath-lines, as if the image is mapping memory’s residue rather than depicting a single, stable object.