The Chair (Triptych of Abstractions)

Two elongated, animal-like sentinels rise against a field of swirling pink, their bodies rendered as pale, netted planes interrupted by angular patches like fragments of armor or memory. The taut verticals and cropped forms create a quiet monumentality, while the vibrating background turns stillness into a kind of pressure—an atmosphere that hums around the figures rather than simply containing them. Between them, a deep red seam reads as both division and tether, suggesting intimacy held at a distance: companionship shaped by separation, and identity pieced together from patterned scars and protective surfaces.