Kiss (A Tapestry of Dreams)

This composition unspools like a dream caught mid-transition, where the female figure is fragmented into silhouettes and gestures that oscillate between repose and flight. Saturated bands of orange, violet, and yellow function as emotional weather—heat, bruise, and dawn—while sharp black interruptions anchor the scene with a graphic, almost architectural certainty. The eye ricochets through collaged vignettes—landscape, interior, and body—suggesting memory as a non-linear terrain in which desire and distance coexist. In its restless spacing and theatrical color, the work reads as a meditation on identity: not a single portrait, but a choreography of selves moving through time.