



Against a restrained, earthen ground, the procession of musician, drummer, and ornamented bull emerges like a living ritualβits saturated reds, saffrons, and cobalt blues pulsing with celebratory urgency. The central shehnai player anchors the composition, his instrument forming a steady diagonal that turns breath into structure, while the soft dissolution of the background suggests memory, dust, and the passage of time. Decorative textiles and painted horn-forms become more than embellishment: they read as emblems of communal identity, carrying sound, labor, and devotion in a single moving tableau. The work holds a quiet tension between spectacle and solitude, as if festivity is also a form of endurance.







