

This work stages a quiet archaeology of surface, where block-like fields accrue and erode like masonry under weather and time, turning abstraction into a meditation on endurance. Sooty blacks and bruised umbers are punctured by pale, mineral flashes that behave less like illumination than like memory—residual light caught in the grain. The composition’s grid suggests order, yet each seam frays into stains and scars, letting the viewer feel the tension between constructed certainty and the inevitable entropy that reclaims it.







