

This composition behaves like a crowded ledger of experience—layer upon layer of cut geometry, half-erased marks, and soft stains accumulating into a living map rather than a single scene. Warm ochres, rose, and ember reds pulse against chalky whites, while crisp triangles, arrows, and dotted lines create the feeling of signals trying to organize the flood of impressions. The scattered bird-like figures and mask-like silhouettes hover as witnesses, suggesting instinct and memory surfacing within the constructed city of forms. What emerges is a delicate tension between play and excavation: a visual archaeology where meaning is continually assembled, obscured, and re-found.







