



A bruised, charcoal ring hovers over a field of milky whites and scraped translucencies, as if a memory has been pressed into the paper and partially erased. The circular motif acts like an aperture—both wound and portal—pulling the eye inward while the fractured outer band suggests motion, friction, and the persistence of return. Subtle traces of newsprint-like texture and layered scumbling turn the surface into a quiet archive, where time feels sedimented rather than linear, and absence becomes the work’s most resonant presence.







