


This work constructs a quiet architecture of memoryβrectilinear fields of ochre and muted violet interlock like rooms seen through half-open doors, inviting the eye to wander without ever fully arriving. Veils of green and inky blacks punctuate the surface, their softened edges and subtle drips suggesting timeβs seepage into place, where certainty dissolves into atmosphere. The textured skin, with its scraped and layered passages, turns light into a tactile presence, proposing an interior landscape in which contemplation and disquiet coexist.







