

This work stages a quiet monumentality through a dominant triangular form that reads like a pyramid or anchored sail, holding its ground against a horizon of fractured, glittering marks. The incandescent oranges and ochres behave less like atmosphere than like heatβan enveloping field in which thin vertical drips and staccato flecks suggest time falling, weathering, or memory sedimenting. Along the upper band, a jagged seam of light and broken geometry interrupts the calm plane below, hinting at a cityline or tectonic rupture where order gives way to restless emergence. The composition becomes a meditation on stability under pressure: a solitary, enduring mass beneath a sky of persistent, luminous unrest.







