

This spare abstraction stages five earthen, monolithic forms as if they were standing stones, their granular surfaces catching light like weathered skin against a field of white silence. Thin, searching lines drift between and around them—part map, part memory—suggesting an architecture that refuses completion and instead records presence through omission. The restrained palette and the tension between weight and air turn the composition into a meditation on endurance: matter holding its ground while time, traced as fragile graphite, keeps moving.







