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Raising of the Son of the Widow of Naim (recto); Madonna and Child with Saints (verso) Gm-00024801

CHF 20
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Giclee Matte Art Paper (24" x 36") 60 x 90cmStretched Canvas (28" x 28") 70 x 70cmNote Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Giclee Matte Art Paper (18" x 24") 45 x 60cmGiclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (16" x 20") 40 x 50cmStretched Canvas (24" x 48") 60 x 122cmStretched Canvas (18" x 24") 45 x 60cmStretched Canvas (24" x 36") 60 x 90cmGiclee Matte Art Paper (30" x 40") 75 x 100cmStretched Canvas (32" x 48") 80 x 122cm
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Giovanni Battista Naldini (Italian, about 1537–1591) As Christ and his disciples approach the town of Nain in Galilee, they meet the funeral procession of a young man, followed by his widowed mother. Pitying the poor woman, Christ lifts one hand towards the bier, and the body of the man comes to life. In front of an arched gateway leading into the town, a crowd gathers around Christ and the dead man as he prepares to rise by stretching out one leg. Giovanni Battista Naldini presented the dramatic conclusion to a miracle found in Saint Luke's Gospel. He sketched the scene quickly with pen and brown ink, focusing on the huddled mass of figures rather than the details of individual faces. Dark strokes of brown wash give depth and form to the shapes, while white heightening creates highlights on the muscular naked body of the dead man, on Christ's lower robes, and on other figures in the foreground. Naldini made this drawing as a preparatory sketch for an altarpiece for a church in Florence.

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