Untitled 2

A pale, spectral figure dissolves into the ground of the paper, its contours barely held together by translucent washes that feel like memory rather than flesh. The composition pivots around a single, sharpened point—an eye-like aperture and a beak of shadow—that punctures the softness, turning tenderness into vigilance and doubt. Muted blues and bruised violets drift through layered textures, while schematic marks and gridded fragments suggest a mind cataloging experience even as the body slips into reverie. The work reads as an intimate meditation on perception: how we cradle what is fragile, yet cannot prevent it from transforming under the pressure of looking.