Untitled 8 (Green Abstraction)

Suspended in a hush of olive and umber, two softly modeled forms lean toward one another as if sharing a single breath, their edges dissolving into the surrounding atmosphere. The composition’s low, internal light gathers along pale planes—like a quiet page or folded cloth—creating a tender axis that anchors the otherwise drifting, dreamlike space. Grainy textures and veiled contours suggest memory rather than documentation, turning intimacy into something archetypal: a meeting that is felt more than seen. In this softened ambiguity, the work meditates on closeness and distance at once, where presence is real yet perpetually slipping into reverie.