Untitled 3 (Sacred Ghats)

This watercolor city-edge scene dissolves architecture into atmosphere, where domed silhouettes and spires rise like remembered monuments rather than fixed stone, softened by a veil of heat-haze and wash. Along the ghats, brisk strokes and pooled pigments choreograph the marketplace into a living frieze—figures, tarps, and boats briefly cohering before slipping back into fluid abstraction. The broad steps and the restless, olive-toned water create a quiet diagonal pull, suggesting time’s steady current against the daily press of human movement. It becomes a meditation on thresholds: between river and city, permanence and improvisation, devotion and commerce.