Untitled 25

A disciplined grid of dark, ladder-like strokes rises above a warm ochre field, as if an architectural memory has been pinned to the page and then allowed to bleed into uncertainty. The stark white ground functions as silence—amplifying each drip and splatter so that accident becomes a second, insistent voice alongside the measured structure. Within the translucent orange planes, faint seams suggest doors, windows, or folded paper, turning the composition into a quiet meditation on containment: what we build to organize experience, and what inevitably leaks through. The work holds a tense equilibrium between control and collapse, where the body’s gesture stains the geometry with time and vulnerability.