

The seated figure, built from an open lattice of metal, turns the body into a porous architecture—at once present and disappearing—so that the surrounding air and light complete the form as much as the sculptor’s hand. In a posture of meditation, the work proposes stillness not as withdrawal but as a disciplined openness, where vulnerability becomes structure and silence becomes audible through repetition of the grid. Set against the raw field, its dark patina reads like a quiet ember: grounded, resilient, and contemplative, suggesting an inner life held together by breath, ritual, and endurance.







