Untitled 1276 (Untitled)

Suspended in a field of milky quiet, two blade-like forms drift as if caught between tool and creature, their silhouettes rendered with a restraint that turns emptiness into the work’s true subject. The cool, desaturated palette and faint abrasions in the surrounding space read like weathered memory, while the small metallic points and seams suggest repair, vulnerability, and the anxious precision of human making. By refusing a fixed narrative—knife, leaf, fish, or artifact—the composition stages a delicate tension between domestication and wildness, inviting the viewer to feel how easily care can shade into threat.