Untitled 3 (A Window to the City)

Set against a sun-saturated field of ochre, the work frames the city not as a destination but as a distant pulse—an orderly silhouette held at bay by the calm, stippled expanse of water. The thick, looping border reads like an architectural glyph, turning the composition into a private enclosure where interior rituals—hanging lamps, small plants, a half-open door—carry the warmth and fragility of refuge. By suspending domestic tenderness beside an impersonal skyline, the painting proposes a quiet negotiation between modern life’s collective tempo and the intimate spaces where one’s attention, memory, and solace are curated.