Untitled 148

The work hovers between landscape and memory, its faceted planes assembling like a half-recalled horizon that refuses to settle into certainty. A warm, ochre atmosphere presses forward, while a sharp band of light cleaves the center, turning the fractured geometry into a quiet drama of revelation and concealment. The painterly smears and soft dissolves at the edges suggest time eroding form, as if the scene were being excavated from within the pigment itself. What emerges is a meditation on perception—how solidity is constructed from glints, interruptions, and the persistent glow of what we almost understand.