

This work drifts in a nocturnal register of blues and petrol greens, where space feels less depicted than remembered—an atmosphere built from veils, smudges, and submerged edges. A luminous horizontal band acts like a held breath across the center, while scattered warm accents flicker as brief signals, suggesting life at the periphery of an otherwise hushed expanse. The composition balances dissolution and structure: forms threaten to vanish into the field yet reassert themselves as silhouettes, as if the painting is negotiating between presence and erasure. What emerges is a quiet meditation on distance—between shoreline and city, between sensation and certainty—rendered as a slow, tidal movement of paint.