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Studies of Three Candlesticks Gm-00042901

CHF 20
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Note Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Giclee Matte Art Paper (24" x 36") 60 x 90cmGiclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (16" x 20") 40 x 50cmStretched Canvas (18" x 24") 45 x 60cmStretched Canvas (28" x 28") 70 x 70cmStretched Canvas (24" x 48") 60 x 122cmStretched Canvas (32" x 48") 80 x 122cmGiclee Matte Art Paper (18" x 24") 45 x 60cmGiclee Matte Art Paper (30" x 40") 75 x 100cmStretched Canvas (24" x 36") 60 x 90cm
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Attributed to Domenico Campagnola (Italian, 1500–1564) Elaborate stone fixtures carved by the ancient Romans inspired Renaissance artists to create complex decorations called candelabra. These ornamental forms were usually composed of elements drawn from metalwork and architecture. On this sheet, Domenico Campagnola created three designs from stacked vases and pedestals, alternately upright and overturned. He then arranged combinations of putti, human figures, trailing foliage, and bucrania around each form.

Artists designed such intricate candelabra not just as functional objects like candle or torch supports; they also appeared as decorative motifs. Such forms ornamented the margins of printed books and filled the edges of frescoes. Parallel hatched lines down the sides of each candelabrum in this drawing give each form a sense of depth. But the clarity of the lines also suggests that the drawings could have transferred for engravings. Pattern books containing prints organized by their ornamental themes became popular in the Renaissance, when craftsmen used these books to create ornaments in a variety of media.

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