Untitled 72

Rendered with the economy of a newspaper cartoon and the bite of a street-side sermon, the cramped composition stacks anonymous windows into a silent monument of modern faith—an architecture that replaces transcendence with tenancy. The handwritten proclamation, hovering like a billboard of doubt, turns theology into real estate, while the clustered figures at the bottom read as both congregation and casualties of the city’s vertical indifference. In this tension between towering façade and compressed humanity, the work suggests that divinity hasn’t vanished so much as been bureaucratized—relocated into the same crowded systems that govern daily survival.