Untitled 2

This polished brass sculpture stages a dense choreography of interlocking loops, where each swelling curve presses against the next to form a single, continuous dilemma of passage and constraint. Light glides across its burnished skin in slow gradients—gold to amber to shadow—turning the object into a moving field of reflections that makes solidity feel strangely fluid. The knot-like entanglement reads as both embrace and bind, suggesting the intimacy of connection alongside the quiet weight of dependency. Resting low and horizontal, it invites the viewer to circle it, discovering that every apparent opening is also a turn back into the whole.