Dynamic EQ takes parametric equalization a giant step forward
by letting you boost or cut a defined frequency range in a way that dynamically depends on the threshold of the chosen frequency. Now
EQ can flow with the music’s dynamics—it’s not just a static boost or cut.
Take vocals for example: A singer’s tone can vary throughout a performance. An EQ setting that works well when the singer is close to the mic and singing softly will not be as effective when the singer backs up and starts belting. F6 moves in time with the singer
kicking in when the vocal level crosses a certain threshold that you’ve set—and laying off when it falls below that threshold.
With F6 you can EQ more precisely
with filters that can be as narrow or as wide as you like
free-floating bands that can overlap
variable EQ shapes
and threshold-sensitive EQ settings.
F6 is ideal for isolating specific problems on individual tracks and fixing them transparently only when they pop out. The plugin’s advanced mid-side processing capabilities give you even greater ability to carve out EQ space in a busy mix
so you can breathe more life into your mixes.
Parametric Precision
Fluid Dynamics
Instead of EQ being a constant amount
apply boost or cut only when the music requires it. From minimizing sharp resonances to creating broad boosts
musical dynamics are the key to shaping the EQ’s response.
Selective Surgery Made Simple
Set the EQ to cover the desired frequency band using standard parametric EQ controls
then choose the amount of dynamics processing using standard compression and expansion parameters. Easy.
Sculpt 2-Tracks & Masters with Flexibility
Each band can process stereo
mid
or sides. Brighten centered vocals without making the sides brittle
bring up low frequencies on the sides without affecting kick and bass
and EQ masters with pinpoint dynamic precision.
Internal and External Sidechaining
Individual bands can respond to their internal sidechain
or an external sidechain. The kick drum could affect only a bass track’s lowest band
while the bass’s other bands respond to the instrument’s dynamics.
Real-Time Analysis Metering
This isn’t just eye candy. Monitor the sidechain
change display resolution (1 to 1/24th octave)
pre or post placement
RMS or peak averaging
and more. You’ll see—not just hear—how dynamic EQ affects the audio.
Optimized for the Studio and the Stage
Zero-latency operation and low CPU power consumption make the F6 ideal for live performance. Even better
the user interface is designed for easy touch control with any multipoint touch-enabled display.
Features:
Combines the best of multiband dynamics and EQ
Compress/expand only for levels in a band that exceed a threshold
Each parametric EQ can have peak
high-
or low-shelf response
Stereo
mid
or sides processing for extra flexibility
Apply dynamics individually within 6 floating bands of parametric EQ
Additional high and lowpass filters with 6 to 24 dB/octave slopes
Internal or external sidechain control
with two response modes
Global mix control for parallel compression
Requirements:
Platform
CPU
RAM
Disk
Notes
Additional Requirement
Audio Card
Ports
Internet Required
32 Bit Support
64 Bit Support
Plugins
mac
Intel or Silicon Architecture
8
16
Minimum: 1024x768
Recommended: 1280x1024 / 1600x1024
USB displays are not supported as the primary display.