Untitled 3 (Urban Ascent)

A nocturnal field of charcoal blacks and smoke-soft greys is ruptured by a vertical cataract of white, as if a sudden illumination has torn through the city’s hushed circuitry. The composition balances strict, rectilinear fragments with viscous drips and scraped passages, letting structure dissolve into weather—architecture becoming memory, and memory becoming stain. This tension between construction and collapse turns the skyline into an emotional register: a place where ambition rises in bright insistence while doubt pools in the surrounding dark. What emerges is less a depiction of buildings than a portrait of threshold—between order and entropy, presence and erasure, silence and signal.