3Pm

Suspended in a field of ochre light, two crows perch on woven basins like witnesses to an unseen trial, their silhouettes crisp against an atmosphere that feels both sunlit and unsettled. The four chair-like forms, linked by faint dashed lines, suggest a measured geometry—an arrangement of seats without sitters—where absence becomes the dominant presence and the birds inherit authority. Below, a dense band of indigo patterning veils a ghosted crowd, as if communal memory is submerged under repetition and noise, leaving only fragments of bodies and ritual color to surface. The composition reads as a quiet parable of social order: who is invited, who is observed, and how the architecture of belonging can turn into a diagram of exclusion.