

This low, river-like bronze tableau reads as a quiet topography where three birds punctuate a widening plane of negative space, their small gestures turning the surface into a meditation on pause and passage. The elongated base, rippled with subtle relief, holds light like pooled water, so that the warm patina flickers between solidity and reflection. Each figure seems caught between landing and leaving, suggesting a fragile choreography of presenceβan ecology reduced to essentials, where silence becomes the central subject.







