Back To Nature 1 (Sunlit Shells)

Set against a nocturnal field of blue, the work arranges its biomorphic forms like specimens in a quiet cabinet—each compartment holding a different pulse of memory, from shell-like carapaces to fruit and seed silhouettes. A warm, haloed disc rises at the upper edge, its soft gold light countering the grid’s austerity and turning the composition into a meditation on nourishment and protection, desire and restraint. The interplay of matte blacks, chalky outlines, and muted aquas creates a rhythm of containment and release, suggesting that what sustains us is often archived, categorized, and still mysteriously alive within its boundaries.