God Is Great (A Tapestry of Life**)

Against a nocturnal blue that reads like boundless sky or inner mind, a crimson field teems with simplified figures—human, animal, and vegetal—each outlined like a remembered glyph, turning the scene into a crowded cosmology rather than a single narrative. The composition refuses hierarchy: bodies recline, dance, and clasp hands beside rabbits, elephants, serpents, and flowering forms, suggesting an ecology where instinct, tenderness, and survival share the same moral weight. Bright, toy-like color intensifies the dream logic, yet the repeated gestures of touch and rest imply a quiet ethic of coexistence—an Eden not of innocence, but of negotiated belonging. The hovering birds above act as emissaries between realms, lifting the tableau from anecdote into a mythic map of interconnected life.