Day And Night

This work stages color as architecture: a meticulous grid of folded planes that turns the surface into a shallow, breathing relief, where light seems to migrate across hundreds of angled facets. Two square “fields” face one another like paired chambers—one cooled by aqueous blues, the other warmed by earthen violets and embered reds—suggesting a dialogue between contemplation and ignition. At each center, a star-like convergence pulls the eye inward, making depth feel less like perspective than like a psychological corridor, a quiet insistence that perception itself is built from repeated, modular choices. The piece becomes an optical meditation on order and variation, where precision yields a surprisingly intimate pulse.