

A vast violet field spirals inward like a quiet gravitational well, its concentric strokes peppered with ember-like marks that suggest time made visible—counted, accumulated, and gently agitated. At the center, a red pulse becomes both wound and beacon, where two butterflies hover in intimate suspension, turning fragility into a kind of steadfastness. The scattered wings around the perimeter read as witnesses or satellites, implying that transformation is never solitary but enacted within a larger, circling atmosphere of attention. The work balances tenderness and vertigo, proposing metamorphosis as a ritual that draws the eye—and the self—back to an insistent inner core.







