


This work lingers on a quiet threshold where stone meets water, arranging flat, slate-like forms into a fractured geometry that feels both deliberate and naturally eroded. A muted palette of blue-gray and rusted ochre lets light skim the surfaces in thin, uncertain glints, turning the gaps between rocks into passages of amber current and suspended time. The composition resists spectacle, favoring a contemplative rhythm of weight and driftβan understated meditation on endurance, flux, and the slow choreography of elemental change.







