Untitled 4

Set against a vast, unmodulated crimson field, a precarious vertical totem of animals rises like an impossible taxonomy made physical—each body a rung in a ladder of instinct, labor, and spectacle. The compressed stack reads simultaneously as a circus feat and a cosmological diagram, where hierarchy is built not on power but on mutual dependence, the smallest weight-bearing gesture holding up the grandest form. The solitary bulb hovering near the summit turns the ascent into a meditation on ambition and illumination, while the human at the base—bearing the structure like an offering—quietly implicates us in the construction of every “natural” order.