



This tightly cropped vision of a red automobile turns nostalgia into a near-abstract geometry, where lacquered crimson planes and concentric whites and blacks pulse like a target of desire and motion. At the center, the wheel becomes an optical portal: a miniature city street reflected within the rim, compressing public bustle into a private, polished surface. The work stages a dialogue between speed and stillness—industrial perfection framing lived reality—suggesting how modern life is both driven by, and mirrored in, the objects we fetishize.







