

Two mirrored, elephant‑headed deities sit in poised stillness, their closed eyes turning the scene inward, as if meditation itself has been doubled to become a chant. The artist builds their bodies from faceted planes of graphite, letting light fracture across rounded bellies and folded limbs so solidity feels simultaneously sculptural and dreamlike. A single saffron stroke at each brow punctuates the monochrome like a ritual ember, suggesting awakened insight amid a world otherwise rendered in hushed, devotional quiet. The near-symmetry reads as both companionship and reflection—an image of balance where inner and outer, presence and absence, are held in steady equilibrium.







